ArtistDirect News
Song Chang-Sik Returns to MBNs Kim Ju-Has Day and Night, Shares Daily Routine and Responds to Jo Young-Nams Alien Theory
On a crisp September evening, MBN’s late‑night talk show Kim Ju‑Ha’s Day and Night aired its 42nd episode at 9:40 p.m., bringing the venerable folk‑rock icon Song Chang‑Sik back into the studio. Joining him was former singer‑actress Jeong Mi‑jo, and the program centered on Song’s remarkable return to the music scene, his unyielding daily regimen, and a playful spar with fellow artist Jo Young‑Nam.
Song Chang‑Sik, born February 2 1947, is celebrated as one of South Korea’s most influential folk‑rock musicians of the late 1960s and 1970s. He first stepped onto the national stage in 1968 as part of the duo Twin Folio and has remained a cultural touchstone ever since. In the interview, Song addressed the labels that have followed him for decades—“eccentric,” “recluse,” and “weirdo.” According to an OSEN report, he dismissed these tags, saying, “I am neither eccentric nor strange,” before revealing that for 59 years he has adhered to the same routine at the same times: morning reading, exercise, and meals at his practice studio.
The veteran singer outlined a distinctive exercise routine that begins in a horse‑riding stance and spins in one direction. He recalled once spinning for two hours straight, joking that, with a bit of exaggeration, “this solves everything.” Song also admitted to turning down overseas performances that crossed time zones because he was pursuing a personal goal of “completing 10,000 days.” The comment sparked curiosity among viewers about the significance of the milestone.
During the conversation, Jo Young‑Nam—known as a singer‑songwriter, painter, and television personality—had previously suggested that Song was an alien who could not hold normal conversations. Song responded directly, saying, “I am simple. However, that person cannot have a conversation with me.” The remark produced laughter in the studio and highlighted the friendly rivalry between the two artists.
Jeong Mi‑jo, who retired from the music scene in the late 1980s, shared her own story of a 37‑year hiatus. She had worked as a fine‑arts professor for 22 years before returning to music. According to OSEN, her comeback was prompted by a chance meeting with radio host Choi Baek‑ho at an art exhibition. After appearing on his show, Choi asked, “Your voice is still good. Why aren’t you singing?” The question resonated with Jeong and solidified her decision to re‑enter the industry.
The episode underscored the broader context of South Korea’s music scene. Song’s disciplined routine and return to performance highlight the enduring relevance of folk‑rock roots in contemporary Korean music. Jeong’s comeback illustrates how artists can re‑engage with audiences after long absences, and the playful exchange with Jo Young‑Nam demonstrates the camaraderie that persists among veteran musicians.
In summary, the 42nd episode of Kim Ju‑Ha’s Day and Night offered viewers an inside look at Song Chang‑Sik’s personal discipline, his reaction to a long‑standing rumor, and Jeong Mi‑jo’s path back to the stage. The broadcast reaffirmed the lasting impact of these artists on Korea’s cultural landscape and highlighted the continued vitality of the country’s music industry.
Song Chang‑Sik, born February 2 1947, is celebrated as one of South Korea’s most influential folk‑rock musicians of the late 1960s and 1970s. He first stepped onto the national stage in 1968 as part of the duo Twin Folio and has remained a cultural touchstone ever since. In the interview, Song addressed the labels that have followed him for decades—“eccentric,” “recluse,” and “weirdo.” According to an OSEN report, he dismissed these tags, saying, “I am neither eccentric nor strange,” before revealing that for 59 years he has adhered to the same routine at the same times: morning reading, exercise, and meals at his practice studio.
The veteran singer outlined a distinctive exercise routine that begins in a horse‑riding stance and spins in one direction. He recalled once spinning for two hours straight, joking that, with a bit of exaggeration, “this solves everything.” Song also admitted to turning down overseas performances that crossed time zones because he was pursuing a personal goal of “completing 10,000 days.” The comment sparked curiosity among viewers about the significance of the milestone.
During the conversation, Jo Young‑Nam—known as a singer‑songwriter, painter, and television personality—had previously suggested that Song was an alien who could not hold normal conversations. Song responded directly, saying, “I am simple. However, that person cannot have a conversation with me.” The remark produced laughter in the studio and highlighted the friendly rivalry between the two artists.
Jeong Mi‑jo, who retired from the music scene in the late 1980s, shared her own story of a 37‑year hiatus. She had worked as a fine‑arts professor for 22 years before returning to music. According to OSEN, her comeback was prompted by a chance meeting with radio host Choi Baek‑ho at an art exhibition. After appearing on his show, Choi asked, “Your voice is still good. Why aren’t you singing?” The question resonated with Jeong and solidified her decision to re‑enter the industry.
The episode underscored the broader context of South Korea’s music scene. Song’s disciplined routine and return to performance highlight the enduring relevance of folk‑rock roots in contemporary Korean music. Jeong’s comeback illustrates how artists can re‑engage with audiences after long absences, and the playful exchange with Jo Young‑Nam demonstrates the camaraderie that persists among veteran musicians.
In summary, the 42nd episode of Kim Ju‑Ha’s Day and Night offered viewers an inside look at Song Chang‑Sik’s personal discipline, his reaction to a long‑standing rumor, and Jeong Mi‑jo’s path back to the stage. The broadcast reaffirmed the lasting impact of these artists on Korea’s cultural landscape and highlighted the continued vitality of the country’s music industry.