ArtistDirect News
Garth Brooks Announces Return to Arenas with Drum Pod-Powered Blame It All On My Roots Tour
After a sold‑out performance at London’s Hyde Park, Garth Brooks revealed that he will bring his iconic Drum Pod stage back to the United States for a new arena tour.
The Blame It All On My Roots Tour will kick off on August 21 and 22 at Gainbridge Fieldhouse in Indianapolis, marking the first time the country legend has performed in an arena setting since the 1990s. The Drum Pod, introduced during Brooks’ 1996 arena tour, was a game‑changer that brought the performer closer to the audience while still delivering a large‑scale spectacle. The 1996‑1998 world tour produced the double‑disc live album Double Live, certified 25‑times platinum by the RIAA and still the best‑selling live album in music history. That era also earned Brooks consecutive Country Music Association Entertainer of the Year awards and two Artist of the Decade honors.
Brooks explained the return to arenas as a way to reconnect with fans: “Going back into the arenas is about putting the stadium show in a box,” he said. “The excitement gets multiplied by the intimacy. Every seat is a great seat. This is personal.” The tour will feature both end‑stage and in‑the‑round seating, with every ticket priced the same at $154.00, which includes a $140 base ticket, a $4 facility fee, and a $10 service charge. Ticket sales begin Friday, July 17 at 10:00 a.m. ET through Ticketmaster. There are no presales, no advance box‑office sales, and a limit of eight tickets per purchase.
The Blame It All On My Roots shows also serve as the foundation for Brooks’ upcoming live recording project, Killer Live. The project follows the tradition of capturing high‑energy performances for release, and industry observers note that the recordings could become another landmark live album in Brooks’ catalog.
The tour’s timing coincides with a broader revival of 1990s country music. While many artists have paid tribute to that decade, Brooks is the figure who helped define it. By returning to the arenas that first launched his career, he offers fans a chance to experience the music in a setting that shaped the genre.
Tickets for the Indianapolis dates go on sale July 17, and the tour will continue to add dates across the United States. The Blame It All On My Roots Tour represents a significant shift from Brooks’ recent stadium‑scale shows and signals a renewed focus on the intimate arena experience that was central to his early success. The launch, the Drum Pod’s reintroduction, and the planned Killer Live recordings together underscore Brooks’ ongoing influence on country music and live performance.
As the first arena dates draw near, the music community will be watching to see how the historic production translates to the modern stage.
The Blame It All On My Roots Tour will kick off on August 21 and 22 at Gainbridge Fieldhouse in Indianapolis, marking the first time the country legend has performed in an arena setting since the 1990s. The Drum Pod, introduced during Brooks’ 1996 arena tour, was a game‑changer that brought the performer closer to the audience while still delivering a large‑scale spectacle. The 1996‑1998 world tour produced the double‑disc live album Double Live, certified 25‑times platinum by the RIAA and still the best‑selling live album in music history. That era also earned Brooks consecutive Country Music Association Entertainer of the Year awards and two Artist of the Decade honors.
Brooks explained the return to arenas as a way to reconnect with fans: “Going back into the arenas is about putting the stadium show in a box,” he said. “The excitement gets multiplied by the intimacy. Every seat is a great seat. This is personal.” The tour will feature both end‑stage and in‑the‑round seating, with every ticket priced the same at $154.00, which includes a $140 base ticket, a $4 facility fee, and a $10 service charge. Ticket sales begin Friday, July 17 at 10:00 a.m. ET through Ticketmaster. There are no presales, no advance box‑office sales, and a limit of eight tickets per purchase.
The Blame It All On My Roots shows also serve as the foundation for Brooks’ upcoming live recording project, Killer Live. The project follows the tradition of capturing high‑energy performances for release, and industry observers note that the recordings could become another landmark live album in Brooks’ catalog.
The tour’s timing coincides with a broader revival of 1990s country music. While many artists have paid tribute to that decade, Brooks is the figure who helped define it. By returning to the arenas that first launched his career, he offers fans a chance to experience the music in a setting that shaped the genre.
Tickets for the Indianapolis dates go on sale July 17, and the tour will continue to add dates across the United States. The Blame It All On My Roots Tour represents a significant shift from Brooks’ recent stadium‑scale shows and signals a renewed focus on the intimate arena experience that was central to his early success. The launch, the Drum Pod’s reintroduction, and the planned Killer Live recordings together underscore Brooks’ ongoing influence on country music and live performance.
As the first arena dates draw near, the music community will be watching to see how the historic production translates to the modern stage.